Trilby
Trilby
George Du Maurier
Tim O’Reilly
Everybody knows Charles Dickens, but only a certain number of people will have read [this book]. - Tim O’Reilly
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Trilby

Trilby

George Du Maurier
By
George Du Maurier
3.3
1405
ratings on Goodreads

In the gaslit alleyways of bohemian Paris, where art and ambition dance a perilous tango, emerges the tale of Trilby O'Ferrall — a young, impressionable artist's model whose ethereal beauty and innocent charm captivate the hearts of the city's avant-garde. But it is her voice, or rather the lack thereof, that becomes the center of a dark transformation under the sinister guidance of Svengali, a master of hypnotic persuasion. George Du Maurier's "Trilby," first published in 1894, weaves a narrative rich with the vibrancy of Parisian life and the shadowy depths of psychological control, exploring themes of fame, obsession, and the fine line between genius and madness. As Trilby's simple, sweet melodies are twisted into powerful operatic feats under Svengali's command, the novel probes the complexities of identity, the nature of artistic creation, and the exploitation of innocence. Du Maurier's own experiences and illustrations infuse the narrative with authenticity and a visual richness that transports readers directly into the heart of 19th-century Paris. The story of Trilby and Svengali has transcended its pages to become a cultural phenomenon, inspiring adaptations, merchandise, and even the language itself, leaving an indelible mark on the landscape of literary and popular culture.

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Released
1894
1 Jan
Length
368
Pages

1

recommendations

recommendation

Everybody knows Charles Dickens, but only a certain number of people will have read [this book]. - Tim O’Reilly
It is a wondrous thing, the human foot—like the human hand; even more so, perhaps; but, unlike the hand, with which we are so familiar, it is seldom a thing of beauty in civilized adults who go about in leather boots or shoes. So that it is hidden away in disgrace, a thing to be thrust out of sight and forgotten. It can sometimes be very ugly indeed—the ugliest thing there is, even in the fairest and highest and most gifted of her sex; and then it is of an ugliness to chill and kill romance, and scatter love’s young dream, and almost break the heart. And all for the sake of a high heel and a ridiculously pointed toe—mean things, at the best! Conversely, when Mother Nature has taken extra pains in the building of it, and proper care or happy chance has kept it free of lamentable deformations, indurations, and discolorations—all those gruesome boot-begotten abominations which have made it so generally unpopular—the sudden sight of it, uncovered, comes as a very rare and singularly pleasing surprise to the eye that has learned how to see! Nothing else that Mother Nature has to show, not even the human face divine, has more subtle power to suggest high physical distinction, happy evolution, and supreme development; the lordship of man over beast, the lordship of man over man, the lordship of woman over all!
— George Du Maurier, Trilby

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