Slow Days, Fast Company
Slow Days, Fast Company
Eve Babitz
Tavi Gevinson
She understands how fame can seem like a catch-all solution to feeling unloved, much like Prince Charming, much like God. - Tavi Gevinson
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Slow Days, Fast Company

Slow Days, Fast Company: The World, the Flesh, and L.A.

Eve Babitz
By
Eve Babitz
4.1
19058
ratings on Goodreads

In "Slow Days, Fast Company," Eve Babitz offers an intoxicating glimpse into the heart of Los Angeles in the 1960s, a city pulsating with life, art, and an unquenchable thirst for the avant-garde. Through her vivid storytelling and unique voice, Babitz not only captures the essence of a bygone era with remarkable clarity but also etches a series of portraits so vivid and compelling that they transcend time. Her prose, both elegant and effervescent, weaves together tales of love, friendship, and the pursuit of aesthetic ecstasy, inviting readers into a world where every moment holds the promise of new delights and despair is only a sunset away. Babitz's Los Angeles is a landscape of contradictions, where the hedonistic and the profound mingle freely under the golden California sun. With each story, she peels back layers of the city's glittering facade to reveal the complex, beating heart beneath. "Slow Days, Fast Company" is not merely a collection of memories from an insider of the L.A. cultural scene; it is a masterful evocation of place and time, a love letter to a city and an era that continues to fascinate and inspire. Babitz emerges not just as a witness to a magical time but as one of its most luminous figures, whose work remains as startling and poignant today as when it first appeared in the early 1970s.

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Released
1977
1 Jan
Length
178
Pages

1

recommendations

recommendation

She understands how fame can seem like a catch-all solution to feeling unloved, much like Prince Charming, much like God. - Tavi Gevinson
Women want to be loved like roses. They spend hours perfecting their eyebrows and toes and inventing irresistible curls that fall by accident down the back of their necks from otherwise austere hair-dos. They want their lover to remember the way they held a glass. They want to haunt.
— Eve Babitz, Slow Days, Fast Company

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