House of Leaves
House of Leaves
Mark Z. Danielewski
Amelia Boone
This is a book that you have to hold because there are parts of it where you need to turn it upside down to read it. [It's] an entire sensory experience. - Amelia Boone
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House of Leaves

House of Leaves

Mark Z. Danielewski
By
Mark Z. Danielewski
4.1
174755
ratings on Goodreads

In the shadowed corridors of "House of Leaves" by Mark Z. Danielewski, readers find themselves entangled in a labyrinthine narrative that defies the very fabric of traditional storytelling. This novel, at its core, explores the chilling tale of a family who stumbles upon an impossible anomaly - their new home on Ash Tree Lane, which harbors dimensions larger on the inside than its modest exterior suggests. As Will Navidson, a Pulitzer Prize-winning photojournalist, and Karen Green, his partner, delve deeper into the mystery, they are confronted with a reality that fractures the mundane: a creeping darkness, an expanding abyss, and a malevolent growl that threatens to consume not just the physical walls of their abode, but the psychological barriers of their minds as well. Danielewski crafts a multi-layered masterpiece, weaving together a narrative that is as much about the horror of the unknown as it is about the exploration of the human condition through the lens of isolation, love, and the relentless pursuit of truth. Through unconventional page layouts that spiral into madness, footnotes that lead into deep, academic rabbit holes, and a story within a story that challenges the reader's perception of reality, "House of Leaves" emerges not just as a novel, but as an experience—one that haunts, mystifies, and ultimately transforms those who dare to navigate its pages.

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Released
2000
7 May
Length
710
Pages

1

recommendations

recommendation

This is a book that you have to hold because there are parts of it where you need to turn it upside down to read it. [It's] an entire sensory experience. - Amelia Boone
Who has never killed an hour? Not casually or without thought, but carefully: a premeditated murder of minutes. The violence comes from a combination of giving up, not caring, and a resignation that getting past it is all you can hope to accomplish. So you kill the hour. You do not work, you do not read, you do not daydream. If you sleep it is not because you need to sleep. And when at last it is over, there is no evidence: no weapon, no blood, and no body. The only clue might be the shadows beneath your eyes or a terribly thin line near the corner of your mouth indicating something has been suffered, that in the privacy of your life you have lost something and the loss is too empty to share.
— Mark Z. Danielewski, House of Leaves

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