Deacon King Kong
Deacon King Kong
James McBride
Oprah Winfrey
Reminds us that when we come together as a community in compassion and empathy, our love triumphs. - Oprah Winfrey
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Deacon King Kong

Deacon King Kong

James McBride
By
James McBride
4.2
70826
ratings on Goodreads

In the heart of 1969 Brooklyn, within the bustling confines of the Causeway Housing Projects, an event unfolds that ripples through the community like a stone cast into a pond. "Deacon King Kong" by James McBride opens with a shocking act: Sportcoat, a cantankerous old deacon with a penchant for homemade hooch, inexplicably shoots the area's most notorious drug dealer in broad daylight. This singular moment of violence becomes the catalyst for an extraordinary exploration of a community at the crossroads of change, where the lives of the witnesses—a vibrant tapestry of African-American and Latinx residents, alongside their white neighbors, local cops, and even mobsters—are intertwined in complex and surprising ways. McBride, with his unmatched narrative flair, weaves a story that is at once hilarious, poignant, and profound. As the investigation into the shooting unfolds, the intricate connections between the characters emerge, painting a vivid portrait of a New York City neighborhood grappling with the forces of transformation. Through the lens of Sportcoat's bewildering act, "Deacon King Kong" delves into themes of friendship, faith, and the unexpected intersections that define our lives. McBride's novel is a testament to the resilience of community and the redemptive power of compassion, offering readers a deeply human story of growth, forgiveness, and the enduring strength of love.

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Released
2020
3 Mar
Length
370
Pages

1

recommendations

recommendation

Reminds us that when we come together as a community in compassion and empathy, our love triumphs. - Oprah Winfrey
while in Manhattan the buses ran on time, the lights never went out, the death of a single white child in a traffic accident was a page one story, while phony versions of black and Latino life ruled the Broadway roost, making white writers rich—West Side Story, Porgy & Bess, Purlie Victorious—and on it went, the whole business of the white man’s reality lumping together like a giant, lopsided snowball, the Great American Myth, the Big Apple, the Big Kahuna, the City That Never Sleeps, while the blacks and Latinos who cleaned the apartments and dragged out the trash and made the music and filled the jails with sorrow slept the sleep of the invisible and functioned as local color.
— James McBride, Deacon King Kong

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