Buddhism without Beliefs
Buddhism without Beliefs
Stephen Batchelor
Edward Norton
One of Edward Norton's favorites. - Tim Ferriss
Dan Harris
Dan Harris recommended this book on Twitter.
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Buddhism without Beliefs

Buddhism without Beliefs: A Contemporary Guide to Awakening

Stephen Batchelor
By
Stephen Batchelor
4.0
550
ratings on Goodreads

In "Buddhism without Beliefs," Stephen Batchelor presents a revolutionary and pragmatic approach to Buddhism, stripping away the layers of mysticism and esoteric traditions to return to the core teachings of the Buddha himself. This compelling work challenges readers to view Buddhism not as a system of belief, but as a disciplined practice of mindfulness and ethical living. Through clear and insightful prose, Batchelor argues that the essence of Buddhist practice lies in confronting and understanding the nature of suffering, then actively working to transcend it. This book invites both beginners and seasoned practitioners to engage with Buddhism in a deeply personal way, emphasizing action over doctrine, and experience over theory. Batchelor's narrative is both an invitation and a guide for individuals seeking a spiritual path grounded in the practicalities of daily life. Without demanding adherence to dogmatic beliefs, "Buddhism without Beliefs" offers a pathway to enlightenment that is accessible to all, rooted in the transformative practices of compassion and mindfulness. By focusing on the Buddha's original teachings, liberated from centuries of cultural and religious accretions, Batchelor provides a refreshing and enlightening perspective on how to live a life of greater awareness, understanding, and peace. This book is a compelling call to awaken to the possibilities of a Buddhism that is firmly rooted in the realities of the here and now, encouraging a life of wakefulness, integrity, and freedom.

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Released
1997
14 Apr
Length
127
Pages

2

recommendations

recommendation

Dan Harris recommended this book on Twitter.
One of Edward Norton's favorites. - Tim Ferriss
Great works of art in all cultures succeed in capturing within the constraints of their form both the pathos of anguish and a vision of its resolution. Take, for example, the languorous sentences of Proust or the haiku of Basho, the late quartets and sonatas of Beethoven, the tragicomic brushwork of Sengai or the daunting canvases of Rothko, the luminous self-portraits of Rembrandt and Hakuin. Such works achieve their resolution not through consoling or romantic images whereby anguish is transcended. They accept anguish without being overwhelmed by it. They reveal anguish as that which gives beauty its dignity and depth.
— Stephen Batchelor, Buddhism without Beliefs

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