In "Against Interpretation," Susan Sontag boldly challenges the prevailing norms of critical analysis, arguing for an experience of art that transcends the shackles of interpretation. Through a series of electrifying essays, Sontag invites readers to engage with art on a more intimate level, to appreciate its form and sensation rather than dissecting its meaning. From the provocative "Notes on Camp" to her rigorous examination of figures like Sartre, Camus, and Godard, Sontag weaves a tapestry of thought that questions the very foundation of how we understand art and culture. This seminal work, first published in 1966, continues to ignite debates and inspire readers with its call for a more sensual, less intellectually constrictive approach to art. Sontag's collection is not merely a critique but a profound exploration of the human condition through the lens of visual culture, literature, and philosophy. Her essays traverse a landscape of diverse topics, including existentialism, the allure of science fiction movies, and the depth of psychoanalytic thought, all the while advocating for an engagement with art that prioritizes feeling over interpretation. "Against Interpretation" remains a cornerstone of contemporary cultural criticism, challenging each generation anew to embrace the raw power of art in its most unadulterated form.